Jul 28
Number 1s of 2010 – 25 July 2010
Posted on Wednesday, July 28, 2010 by Paul in Music
Well, this is going to be easy.
In a week with virtually no significant new releases – as in, the highest new entry was at number 20 – the number 1 slot is once again traded between records that have been on the chart a while. This week, it’s “We No Speak Americano” by Yolanda Be Cool & D-Cup.
And I already wrote about that single at great length two weeks ago. So hop over to that post and scroll down a bit.
There are five other new entries on this week’s chart, and they’re a distinctly motley collection.
- Number 20 is “DJ Got Us Falling In Love” by Usher featuring Pitbull. No official video for this one, as far as I can see. It’s the lead single from Usher’s “Versus” EP, and it’s, you know, radio-friendly. Usher’s 16th top 40 hit, and the seventh in only two years for serial collaborator Pitbull.
- “Saturday” by Basshunter at number 21. A seventh hit for the extremely irritating Swedish techno act. This actually represents something of a change of direction, as by his standards, it’s downright nuanced. By anyone else’s standards, it’s routine Europop. I query the video director’s decision to spend quite so long pointing the camera at Basshunter, who evidently thinks he’s quite sexy.
- “Witchcraft” by Pendulum at number 28. Fifth hit for the Australian rock/rave hybrid band. They’re getting into a bit of a rut, I think. I’m tempted to say that all Pendulum singles sound alike, but that wouldn’t be quite fair – the dance instrumental “Slam” (no 34 in 2005) was a bit different…
- “The Boy Who Murdered Love” by Diana Vickers at number 36. Follow-up single to her number one debut “Once” from earlier in the year. But this’ll be the early promotion of a follow-up single, so it’ll probably climb. It’s a bit of a grower, actually.
- “Famous” by Scouting for Girls at number 37. Scouting for Girls have noticed that it’s possible to get on TV without having any talent, and they’ve written a little ditty to express wry amusement about it. Fearlessly surfing the zeitgeist of 2005 there. Their seventh hit, and while it’s likely to climb, I don’t see it matching the number 1 peak of the last single “This Ain’t A Love Song”.
As a fan of Pendulum, even I had to realize that with their new CD, that almost every song has the same drum/bass line. It’s like they took the most generic drum & bass line loop and are using it every song.
Even in that Slam video, it’s the same. Bass… tom… bass tom…