We’re skipping Daredevil #48, which is another Stilt-Man story. And with that, we’ve reached the end of Stan Lee’s run as writer.

DAREDEVIL #49-55
(January to August 1969)
Writer: Stan Lee (#49-50, 53), Roy Thomas (#51-55)
Pencillers: Gene Colan (#49, #53-55), Barry Smith (#50-52)
Inker: George Klein (#49, #51, #53-54), Johnny Craig (#50, #52), Syd Shores (#55)
Letterer: Artie Simek (#49, #51, #53-55), Herb Cooper (#50), Sam Rosen (#52)
Colourist: not credited
Editor: Stan Lee

You only have to look at those credits to see that this is a bit chaotic. Perhaps Stan Lee was keen to stick around until issue #50 because it was a nice round number. But instead of ending his run with a grand finale, Lee hands the book over to Roy Thomas in mid storyline. And the story just keeps going, in the book’s longest arc to date. In practice it’s really six issues rather than seven – issue #53 is a fill-in with a token framing sequence to continue the plot – but that’s still far longer than any continuous arc so far, and far longer than anything we’ll get in the rest of Roy Thomas’ run. The Masked Marauder hung around for the better part of a year, but that was as a recurring villain. This is one continuing arc.

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DAREDEVIL #47 (December 1968)
“Brother, Take My Hand”
Writer, editor: Stan Lee
Penciller: Gene Colan
Inker: George Klein
Letterer: Artie Simek
Colourist: Not credited

Biggie Benson is another random crime boss who shows up in Daredevil as a one-off villain. I could stop there. But there are a few reasons to spend more time on this issue. The least interesting of those reasons is that Biggie isn’t strictly a one-off villain; he comes back looking for revenge in a couple of issues time. But that’s just to get the plot rolling.

A better reason to pay attention to this story is that it introduces Willie Lincoln, who shows up periodically as a supporting character for the next year or so. Since the supporting cast still consists entirely of Foggy Nelson, Karen Page and Debbie Harris, any new recurring character is at least somewhat noteworthy.

But more than that, this is A Very Special Issue, and we haven’t had one of those yet.

We open with a flashback to a few months ago, as Daredevil visits Vietnam to entertain the troops with a display of acrobatics. In the audience is Willie, who is losing his sight after being injured in battle. Willie is a huge Daredevil fan, and apparently he’s  insisted on hanging around in order to see his idol in person. This being the Silver Age, the melodrama is cranked up to 11, and so Willie’s sight gives out on him in the middle of Daredevil’s performance.

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DAREDEVIL #42 (July 1968)
“Nobody Laughs at the Jester!”
Writer, editor: Stan Lee
Penciller: Gene Colan
Inker: Dan Adkins
Letterer: Sam Rosen
Colourist: not known

It’s been a while since Daredevil introduced a new villain with a proper concept and some real fanfare, but the Jester certainly gets that treatment. He’s not just on the cover and in the title of the story. He gets the whole opening scene to establish his schtick. Then, after a brief check in with Matt and co (who are mourning the “death” of Mike Murdock last issue), we’re back to the Jester so that he can tell us again how great he is, and explain his back story. Of the first ten pages of issue #42, seven are pure Jester. Today he may be a D-lister, but in his debut he’s a major new villain.

The Jester is a man in a jester costume who robs a bank vault with sleep pellets and some gimmicked toys. Then he makes his getaway by flagging down a passing car, which he steals by knocking out the driver with a yo-yo. But as the Jester drives home, he wishes had had an audience to applaud him. It’s the one thing he regrets about turning to crime.

Even so, the Jester is delighted with his achievements. “With my superb skills, my titanic talents, I’ll reach the most dizzying heights of all! Never has a dedicated arch-criminal been endowed with the background, the training, the natural genius that I myself possess! Here, among my innocent-looking, specially-modified toys, I am ready to launch a crime campaign the like of which the world has never known!”

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We’ve jumped forward quite a few issues again, thanks to a string of issues featuring guest villains from the wider Marvel Universe. Issues #30-32 feature the Cobra and Mr Hyde, explicitly on loan from Thor. Issues #33-34 are a Beetle story – he does come back for two more stories in the #100s, but I don’t think anyone regards him as a Daredevil villain. Issue #35-36 are the Trapster. Issues #37-38 are Dr Doom, and lead into a crossover with Fantastic Four.

DAREDEVIL #39-41 (April to June 1968)
“The Exterminator and the Super-Powered Unholy Three” / “The Fallen Hero” / “The Death of Mike Murdock!”
Writer, editor: Stan Lee
Penciller: Gene Colan
Inkers: George Tuska (#39), John Tartaglione (#40-41)
Letterers: Artie Simek (#39), Sam Rosen (#40-41)
Colourist: not credited

It’s been the best part of a year since Daredevil last debuted a new villain. But while the Exterminator is notionally the main villain of this arc, a lot of the emphasis is on his henchmen. Ape-Man, Bird-Man and Cat-Man debuted as the Organizer’s thugs back in issue #10, as part of the Wally Wood arc that Stan Lee hated so much. Now, they’re featured prominently as the returning villains. They’re billed as the Unholy Three, with their fourth member Frog-Man having fallen by the wayside for some reason – perhaps because of his similarity to Leap-Frog. Daredevil notes Frog-Man’s absence, assumes that he must still be in jail, and never mentions him again.

During the issues we skipped, Stan also brought back the other member of the Organization, Foggy’s ex-girlfriend Debbie Harris. Why? Because even Stan was bored with the book’s romantic triangle, and the simplest solution was to partner Foggy up with someone else. Not only does that get Matt and Karen out of their holding pattern, it frees up Foggy from being a blocking character and a comedy figure, and lets him start shifting back into his original role as Matt’s best friend. By the time we reach this issue Debbie is a full fledged member of the supporting cast, and Foggy is worried that their relationship will damage his chances of being elected as District Attorney. She’s a convicted criminal, after all. Nonsense, says Matt – New Yorkers are very understanding about such things. They love reformed criminals and the open-minded politicians who date them!

Once Debbie Harris was back in circulation, it made sense to bring back her former stablemates. In Wally Wood’s story, the Unholy Three were press ganged into working for the Organizer. They were halfway between actual super villains, and hired thugs who were pretending to be supervillains as part of the Organizer’s plan. All that has fallen by the wayside – they’re now just an animal-themed henchman squad. But Stan does keep the idea that a mastermind keeps track of them via their clunky headsets and chest-mounted video cameras. This time round, that villain is the Exterminator.

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DAREDEVIL #29 (June 1967)
“Unmasked!”
Writer, editor: Stan Lee
Penciller: Gene Colan
Inker: John Tartaglione
Letterer: Sam Rosen
Colourist: not credited

As Daredevil approached issue #30, Stan Lee was getting downright sluggish when it came to new ideas for villains. Last month was little green men. This month is “the heartless hood they call… the Boss!” The Boss is just a regular old crime boss, with no particular hook. Often characters like this represent Daredevil toying with the sort of stories that will eventually make the book work. Less so in this case.

The issue opens with Matt pondering a dilemma. He’s decided to ask Karen to marry him. No, you didn’t miss an issue. It’s all or nothing with Matt. The dilemma is: should he marry her as Matt, or as Mike? Yes, this sounds like an excellent foundation for a healthy marriage. As Colan draws him, Matt at home looks like a genial English professor, with a nice cardigan and a tweed jacket. For some reason he also has a signed photograph of Karen Page. Seems like an odd gift for Karen to give to a man she believes to be completely blind, but it keeps showing up in later issues.

Meanwhile, we check in on the Masked Marauder’s men. The Marauder died two issues ago, and his men have been waiting patiently for “over a month” for further orders. Finally, they decide that he’s really not coming back, and so they open his last instruction. It tells them to go after Nelson and Murdock, find out who Daredevil is, and then avenge the Marauder’s defeat. The Marauder certainly has a lot of faith in his men to carry out this vague instruction from a man who is, presumably, no longer paying their wages. But follow it they do, heading to the Nelson & Murdock offices in the Marauder’s customised truck that very night.

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Again, we’re skipping a couple of issues with returning villains – issues #26-27 feature the return of Stilt-Man and the final defeat of the Masked Marauder.

DAREDEVIL #28 (May 1967)
“Thou Shalt Not Covet Thy Neighbor’s Planet!”
Writer, editor: Stan Lee
Penciller: Gene Colan
Inker: Dick Ayers
Letterer: Sam Rosen
Colourist: not credited

Yes, it’s a flying saucer issue. The aliens are really just little green men – well, they’re quite big green reptiles, I suppose, but you get the point. They aren’t even named in this issue. The name “Queega” comes from the Official Handbook of the Marvel Universe.

Matt accepts an invitation to give a talk at Carter College on the legal aspects of flying saucers. About a third of the book is taken up with the romantic triangle before we even get to the College, where Matt plans to wing his way through a talk on a subject he knows nothing about. As it turns out, he just gives a fairly sensible talk about how the law would treat aliens if they ever showed up. In fact, you could make a case for this being one of the more legally sound issues of Daredevil. (Readers interested in the sum total of UK case law on this topic are directed to paragraph 23(2) of this decision.)

The talk is interrupted by the sound of a gunshot. Exciting!

It turns out that the shot was fired by Professor Tom Brewster, a UFO obsessive who claims to have stumbled upon some aliens in the woods. Rather surprisingly, Brewster is promptly arrested for firing a gun in a public place.

Naturally, Daredevil suspects that Brewster is telling the truth. So he investigates, and stumbles upon a flying saucer. The aliens seem surprised that “another human has discovered our presence on this primitive planet”, despite having set up base two minutes’ walk from a university campus. The aliens are reptilian semi-humanoids with weird energy halos. Wouldn’t you just know it, their main weapon turns out to be a ray that blinds people. Of course, it has no effect on Daredevil whatsoever. Unfortunately, they also have a secondary weapon: a delayed-effect freeze ray, which does work on him.

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We jump forward quite a few issues here. So, just for the record: Issue #19 is more of the Gladiator and the Masked Marauder. Issues #20-21 are an Owl story, in which he kidnaps the judge who sentenced him to jail and forces Matt to defend him in a mock trial before a jury of criminals. It’s a lovely idea, but Stan couldn’t figure out a clever solution, so Daredevil just hits everyone with a stick. Issue #22 is the Tri-Man, but that’s just a robot built by the Masked Marauder. Issue #23 is another Gladiator / Masked Marauder story. Issue #24 is the Plunderer again. And that brings us to…

DAREDEVIL #25 (December 1966)
Writer, editor: Stan Lee
Penciller: Gene Colan
Inker: Frank Giacoia
Letterer: Art Simek
Colourist: Not credited

The most significant thing in this issue is the new storyline advertised on the cover. “Wow-eeeee!”, Stan proclaims. “Just wait’ll you meet ol’ Matt Murdock’s swingin’ twin brother!” Yes, it’s Mike Murdock, a notorious piece of Silver Age silliness.

Foggy and Karen find a letter which reveals that Matt is Daredevil. When Matt shows up a few minutes later, he improvises wildly, and claims that Daredevil is actually his twin brother Mike. Foggy can’t help remembering that he and Matt lived together for years with no mention of a twin brother. But Matt keeps digging – complete with thought balloons of the “what the hell am I doing” variety – and winds up promising that Karen and Foggy can meet brother Mike.

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DAREDEVIL #18 (July 1966)
“There Shall Come a Gladiator!”
Writer, editor: Stan Lee
Penciller: John Romita
Inker: Frank Giacoia
Letterer: Sam Rosen
Colourist: not credited

Early Daredevil doesn’t have a large supporting cast. It’s just Foggy Nelson and Karen Page. And the heart of the book is the romantic triangle between Foggy, Karen and Matt.

Today, Karen has been out of the picture for many, many years. She was killed off in the late 1990s. Foggy’s established role for decades now has been the solid, dependable, long-suffering best friend who’s stood by Matt all through the years. And to be fair, that’s basically how he was set up in issue #1.

But in the early Silver Age, Foggy Nelson’s main function is to get in the way of Matt and Karen. Foggy loves Karen. Karen loves Matt, and she’s quite keen on Daredevil too. Matt loves Karen, but thinks she just feels sorry for him because he’s blind. Matt thinks Foggy is better husband material for her, and she’s willing to entertain him as a fallback option.

This role isn’t a promising starting point for Foggy. To make matters worse, he spends a lot of time in the early issues bitching about Daredevil whenever Karen mentions him, or even privately hoping that Matt doesn’t get his sight back, because it’d ruin his chances with Karen. Foggy does at least feel guilty about such things crossing his mind. From time to time he gets to show some decency and integrity. But fundamentally he’s a blocking character, not a supportive rock.

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DAREDEVIL #16-17 (May & June 1966)
“Enter… Spider-Man” / “None Are So Blind”
Writer, editor: Stan Lee
Penciller: John Romita
Inker: Frank Giacoia
Letterers: Artie Simek (#16) & Sam Rosen (#17)
Colourist: not credited

Sixteen issues into the series, Daredevil has had a steady stream of bad guys. But only the Ox has appeared more than once. That changes here, as this two-parter introduces Daredevil’s first recurring enemy. He’s the main villain through to issue #27 – and after that, he never appears in the series again. Meet the Masked Marauder, a villain exactly as generic as he sounds.

When we first meet the Masked Marauder, he’s already an established supervillain. He wears a purple jumpsuit and a green cape, the standard colours of Silver Age villainy in the Marvel Universe. He has a gang of thugs who do all the hard work for him. They wear purple too. He is, as advertised, Masked. If we’re being honest about it, though, he doesn’t do much Marauding. He’s a high-tech master planner, who creates elaborate devices and conceals them in trucks. But the Masked Planner didn’t have the same ring to it.

In this story, the Masked Marauder’s unspectacular nature isn’t such a problem. The real focus is Spider-Man. He and Daredevil don’t get on, they fight, they team up – you know the drill. It’s Spider-Man that the kids want to see, and it’s Spider-Man that they get.

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DAREDEVIL #15 (April 1966)
“–And Men Shall Call Him… Ox!”
Writer, editor: Stan Lee
Penciller: John Romita
Inker: “Frankie Ray” (Frank Giacoia)
Letterer: Art Simek

We’ve seen the Ox before. He was one of Mr Fear’s henchmen back in issue #6. But this time it’s different. It’s his spotlight story, and now there are two… um, two Oxen?

With Ka-Zar’s origin story out of the way, Stan Lee reverts to the established Daredevil formula. Matt’s back in New York, he’s back in the office, and he’s back in the romantic triangle with Karen and Foggy. Poor Foggy is still feeling the after-effects of being hospitalised by the Fellowship of Fear back in issue #6. Not that he’s mentioned it in issues #7-14, of course, but apparently it’s still giving him dizzy spells. And so Matt is given the opportunity to reflect on how the Ox was, in fact, the most dangerous member of the Fellowship of Fear.

The Ox’s gimmick is very simple: he’s big, strong and not very smart. This issue strongly implies that he’s not just mentally below average, but has some sort of disability. He debuted as one of the Enforcers in Amazing Spider-Man #10 (1964), and has superhuman strength for no apparent reason. Presumably he’s a mutant. Since we last saw him, he’s been in jail, sharing a cell with mad scientist Karl Stragg. We quickly establish the dynamic: Stragg has a plan to use Ox’s strength to escape by slowly working on the bars, and Ox is half-heartedly playing along. But Ox isn’t entirely sure he even wants to break out, and Stragg is already getting frustrated with him. Crucially, the Ox is sensitive about his low intelligence, but Stragg is promising to raise his intelligence to normal levels if he helps them break out. That’s the Ox’s motivation.

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