NYX #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NYX vol 2 #4
Writers: Jackson Lanzing & Collin Kelly
Artist: Enid Balám
Letterer: Joe Sabino
Colour artist: Raúl Angulo
Editor: Annalise Bissa
THE CORE CAST:
David Alleyne is the spotlight character in this issue. As strongly indicated in earlier issues, he’s responsible for the various mutant-themed street art that we’ve seen in the background throughout the series. He wears a costume when making his art, and shows up in the same costume to fight the Krakoan during the story.
At first, he refuses to help Kamala against the Krakoan, even though Kamala only wants him to come along and try to talk sense into Julian as an old friend (which would be a stretch, but she doesn’t know that). David claims that his “position requires a very careful balance” and that he can’t be seen in that sort of role. Kamala interprets this as David being unwilling to compromise his own comfort, and decides that Sophie’s sell-out accusations in issue #1 were correct. However, when Ms Marvel is clearly losing to Julian, and nobody else shows up to help, David does indeed intervene, and both of them wind up being arrested. David assumes that this will cost him his job with the university, but for the moment it’s just an assumption.
The narration in this issue consists largely of David’s “lecture notes” (which read more like brainstorming sessions). Very broadly speaking, his key points seem to be:
- Mutant culture is rooted in the superhero/supervillain paradigm, and by extension in violence.
- Mutant culture has been stuck in a binary choice of Professor X’s integration and Magneto’s domination, both of which have failed. Krakoa offered a third choice of separatism, which also failed (at least for people who didn’t want to emigrate to the White Hot Room).
- Mutants have been unable to live among other people and, in trying to do so, are left with only their inner lives as the remnants of mutant community.
- Another path needs to be found for mutants which breaks out of these binaries.
- Humans (or at least human authorities) are reasonably to be assumed to be hostile, if not outright genocidal.
The X-Axis – w/c 21 October 2024
X-MEN: FROM THE ASHES INFINITY COMIC #20. By Alex Paknadel, Diógenes Neves, Arthur Hesli & Clayton Cowles. Part 2 of the Lifeguard story, now featuring some other Australian mutants who are even more obscure than she is. (Ugly John is a one-off New X-Men character, and the guy who turns brittle is from a single Weapon X: The Draft one-shot in 2002.) It looks like we’re going with the premise that after her time on Krakoa, Lifeguard’s powers are attempting to defend her from all normal humans. I can see the angle in that, and it’s one of those cases where it helps to have a pre-established character with handy plot-device powers. Mind you, Lifeguard’s power is supposed to be that she develops whatever powers she needs to save human lives in the vicinity, so it’s not entirely clear how we get from there to here… but maybe we’re going with prolonged isolation from humans making her reorient around mutants or something? At any rate, it’s all presumably a metaphor for her trying to reassimilate into a society whose racism is more visible to her than it was in the past. I’m still not quite sold on it, but it’s the sort of thing I’m glad to see the Infinity Comics trying.
X-MEN #6. (Annotations here.) So we’re starting to draw together the threads from the various single issue stories to date – which means a scene where the cast literally compare notes and draw the threads together, but this feels like the time to be doing it. Meanwhile, Idie decides to go off on a frolic of her own and talk to a local mutant girl without involving Scott. This is the subtler side of the story, since it doesn’t spell out quite so directly why she’s looking to Magik rather than the rest of the team, but the dynamics between those two characters work nicely. Guest artist Netho Diaz seems a good fit for Ryan Stegman’s style, though I can’t help thinking some of these character designs need tweaking – Idie’s hair just looks odd. Beast gets some nice moments too, lamenting the fact that he’s trying to be the cutting edge scientist while missing any memory of the last few years. Quietly solid.
X-Factor #3 annotations
We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.
X-FACTOR vol 5 #3
“Project Paperclip”
Writer: Mark Russell
Artist: Bob Quinn
Colour artist: Jesus Aburtov
Letterer: Joe Caramagna
Editor: Tom Brevoort
X-FACTOR
The team are being packed off to autograph signing at conventions, which does at least reflect the PR aspect of their official remit. Havok is still worried about what happened to Polaris after she was left behind with the Mutant Underground at the end of the previous issue. He claims that all he cares about is getting his team back safely, and that he no longer has any misgivings about fighting other mutants (presumably following his encounter with the Underground last issue).
Granny Smite gets a back story here: she lived to 86 without realising that she was a mutant, at which point she lost her entire family within six months in disasters that she survived unscathed. Or at least, that’s Broderick’s account. It does beg some questions: as described here, she’s apparently not just immortal but invulnerable. Could you really live to 86 without noticing that? And since she apparently does age, can she die of old age? Nonetheless, Broderick’s account seems to match her behaviour: she’s lost everything she cared about and she seems to be mainly interested in getting herself killed. She clearly takes some enjoyment in freaking people out – she signs her publicity photo “I welcome death.” Havok isn’t at all convinced that she should be on the team, but to be fair, she does have useful powers and she is perfectly co-operative in a crisis. Then again, she’s also mentally unstable and barely trained.
X-Men #6 annotations
We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN vol 7 #6
“Bark”
Writer: Jed MacKay
Penciller: Netho Diaz
Inker: Sean Parsons
Colourists: Marte Gracia & Fer Sifuentes-Sujo
Letterer: Clayton Cowles
Editor: Tom Brevoort
THE X-MEN:
Cyclops is team leader, chairing the X-Men’s meeting. He’s a little more reluctant than Magneto to acknowledge Ben and Jennifer as proper mutants, but does accept them.
Temper spots that one of the protestors outside the Factory – and they’re a small group – has a child who makes the “Midnight Bark” (or “Midnight M”) hand signal at her. Rather than tell Cyclops, she decides to take maters into her own hands and asks Magik to help, presumably seeing her as someone else who likely to agree. Note that she doesn’t go to Kid Omega, her ex, who had already made clear to her that he wasn’t really interested in messing with the protestors. She evidently isn’t put off by the warnings that she might start some sort of incident by taking matters into her own hands.
Magik‘s long distance chess game from issue #4 gets another mention – her opponent in that story apeared to be Colossus. The game is apparently something she’s keeping private, but she doesn’t seem that upset that Temper knows about it. She seems mainly amused by Temper’s response to the girl – she cautions that it could be a PR trap but seems quite happy to leave it up to Temper to decide what to do about it. The risk of starting an outright fight with O*N*E doesn’t really seem to bother her either.
Daredevil Villains #40: Kerwin J Broderick
DAREDEVIL #104-107 (October 1973 to January 1974)
“Prey of the Hunter!” / “Menace From the Moons of Saturn!” / “Life Be Not Proud!” / “Blind Man’s Bluff!”
Writer: Steve Gerber
Penciller: Don Heck (#104-106), Jim Starlin (#105 Titan sequence), Bob Brown (#107)
Inker: Sal Trapani (#104, #106), Don Perlin (#105), Sal Buscema (#107)
Letterer: Charlotte Jetter (#104, #107), June Braverman (#105), Shelly Leferman (#106)
Colourist: Petra Goldberg (#104, #107), Janice Cohen (#105), George Roussos (#106)
Editor: Roy Thomas
Throughout Steve Gerber’s run, a mysterious shadowy figure has been giving super powers to oddballs like Angar and the Dark Messiah. Now, it’s time for Daredevil to meet this arch villain. It’s Kerwin J Broderick, the senior partner of the law firm of Broderick, Sloan and Murdock.
Until now, Broderick hasn’t been seen on panel, but Gerber has been building him up in a subplot. Matt is hired to defend a group of kids who are charged with robbery, and Jason Sloan keeps telling Matt that Broderick wants him to enter a guilty plea. The expectation seems to be that Matt Murdock, of all people, won’t merely persuade his clients to plead guilty, but will actually ignore their instructions. It’s a strange arc, since Gerber seems to think that this sort of thing would be classed as “slightly questionable” rather than “completely beyond the pale”, meaning that Matt reacts to it as simply a troublesome work problem.
The X-Axis – w/c 14 October 2024
X-MEN: FROM THE ASHES INFINITY COMIC #19. By Alex Paknadel, Diógenes Neves, Arthur Hesli & Clayton Cowles. Well, here’s something I wasn’t expecting: a Lifeguard story. Lifeguard is a character who appeared in X-Treme X-Men in 2001-2002 and has essentially done nothing since then. As in, she had a minor speaking part in one issue of Excalibur in 2004 and had two background cameos during the Krakoan era, and that’s literally it. Her brother Slipstream is in the same boat, but he’s quietly packed off to White Room Krakoa in a flashback, leaving Lifeguard behind on Earth to look after their ailing stepmother. The story is basically Heather trying to resume a normal life in Australia despite the awkward gap in her CV, while people keep going down with a weird skin condition in her presence – I guess we’re meant to be wondering if it’s a threat that her powers are reacting to, or something that she’s actually doing to defend herself against the outside world. I’m quite happy to see obscure characters get an outing in the Infinity Comics, but it’s not really clear yet where all this is heading. And the art is unusually wonky – it really feels a bit rushed, with strange neck angles and fixed grins.
UNCANNY X-MEN #4. (Annotations here.) The penultimate issue of the “Red Wave” arc, and it’s built mainly around Sarah Gaunt fighting Rogue to build her up as a top tier physical threat. She’s starting to click for me as a villain – straight mystical threats don’t always fit in the X-books, but while Sarah has a lot of the magical trappings, it’s not actually clear quite what she is. And it feels like a deliberate piece of mystery, which the story can carry, since it’s starting to give us a clearer idea of what she actually wants. She strongly implies that Charles Xavier abandoned her with his child, but she’s also clearly mad, and there are at least some indications that there’s more to the story than that. I’m also pleasantly surprised to see the Graymalkin Prison characters – who have been decidedly one-dimensional so far – show a bit more range, and start to distinguish themselves from Orchis a bit more. Marquez’ art has enough cartooning to carry off Sarah’s exaggerated design (I suspect some artists might struggle with her in future), but the flashbacks are nicely pitched too. Good issue.
Wolverine #2 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
WOLVERINE vol 8 #2
“Blood and Debt”
Writer: Saladin Ahmed
Artist: Martín Cóccolo
Colour artist: Bryan Valenza
Letterer: Cory Petit
Editor: Tom Brevoort
WOLVERINE:
Wolverine has accepted Nightcrawler’s argument from the previous issue that he can’t leave the world behind, if only because the things that he’s trying to avoid will just follow him. Nonetheless, for the moment he’s still hanging around in the wilderness, presumably because Cyber is still out there. Cyber doesn’t appear in this story, but the plot is driven by the murders he committed in issue #1. Nightcrawler doesn’t appear either: presumably he was taken to hospital after the end of the previous issue.
Wolverine decides to help the new Wendigo (see below), after reminding himself that he used to be an animal and that other people helped him to regain his humanity – a familiar Wolverine trope. He takes this idea to the point of fighting off the Department H soldiers who are trying to capture the Wendigo; he claims that he’s trying to avoid a fight in which the soldiers would just get slaughtered. Despite his dislike of Department H, he regards this squad as legitimate (if underwhelming) footsoldiers and tries to do minimal harm to them – but he suggests that he also fears that drawing blood would affect his self-control too. He seems to take it as read that Department H either wouldn’t or couldn’t help the Wendigo.
Uncanny X-Men #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
UNCANNY X-MEN vol 6 #4
“Red Wave, part 4: The Eye of a Hurricane”
Writer: Gail Simone
Artist: David Marquez
Colourist: Matthew Wilson
Letterer: Clayton Cowles
Editor: Tom Brevoort
THE X-MEN:
Rogue confirms that there’s no logical explanation for her suddenly becoming aware of Wolverine’s injuries at the end of the previous issue. The suggestion seems to be that Sarah Gaunt deliberately lured her there after learning about Haven (and the Outliers’ presence there) when she defeated Wolverine in the previous issue. For some reason Rogue decides to stay and fight Sarah alone; maybe some more compulsion is at work, or maybe she just underestimates Sarah’s power even after seeing how badly she thrashed Wolverine.
Nightcrawler is now referring to Rogue as “sister”. When asked for some good news, he replies “Krakoa yet lives”, presumably meaning the spirit of the place rather than anything literal.
The X-Axis – w/c 7 October 2024
X-MEN: FROM THE ASHES INFINITY COMIC #13. By Alex Paknadel, Phillip Sevy, Michael Bartolo & Clayton Cowles. This is the end of the Beast/Blankslate arc, which feels a bit too high concept and abstract to quite work. There’s a reasonable idea in here: Beast is worried that something about his powers inevitably drives him mad, Blankslate copies his powers and seems to immediately go down that line. But ultimately Beast gets reassured that apparently he does have self-control. But if the Beast’s concern is that he’s going to go mad in the long run, what does a couple of weeks with Blankslate actually tell anyone? And more to the point, Blankslate never feels like a functioning character – the very nature of the concept almost prevents him from being one. So it’s a hard story to really connect with. But it’s a nice idea in theory.
EXCEPTIONAL X-MEN #2. (Annotations here.) We’re still at the stage of introducing the cast, but this seems like a fun series so far. Thao and Alex get their debuts here, and while they’re certainly recognisable types, there’s enough in the details to make them feel more fully thought out than that. And the cast dynamics seem promising: Trista wants mutant friends, Thao wants to be a mutant activist, Kate and Alex would both quite like a normal life, and who knows yet what Emma’s up to. It’s clearly a character-driven book, but the art can carry it, and I’m happy to see a bit more mundanity in the X-books, both here and in NYX. Okay, it stretches credibility at times – how many newly activated teen mutants can Kate stumble into while wandering around Chicago? Does Thao, the wannabe activist, really not recognise Kate Pryde even after hearing her name and seeing her powers? But I can let that sort of thing slide when I buy the characters.
Phoenix #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
PHOENIX #4
Writer: Stephanie Phillips
Artist: Alessandro Miracolo
Colour artist: David Curiel
Letterer: Cory Petit
Editor: Annalise Bissa
PHOENIX:
Jean has volunteered to help out Captain Marvel, presumably as part of her ongoing efforts at rehabilitation. Instead, Carol invites her to a festival. Carol thinks Jean is overworking herself in an attempt to atone for something that wasn’t really her fault anyway. Carol argues that while Jean seems to have control of the Phoenix, she’s still afraid of it and needs to overcome that in order to really have control
GUEST STAR:
Captain Marvel is basically here to serve as a sounding board and warn Jean not to burn herself out. She mainly references rebuilding her own life after losing her identity to Rogue, but her concern about burnout and self-control might resonate more with her late-90s alcoholism storyline.
SUPPORTING CHARACTERS:
The Galactic Council – basically an intergalactic diplomatic talking shop – is mainly a Guardians of the Galaxy thing, though several of the diplomats also showed up in X-Men Red. Their base, the New Proscenium, appears here for the first time – the original Proscenium was another diplomatic conference centre, and was destroyed in the last run of Guardians.
