X-Men #7 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN vol 7 #7
“The Iron Night”
Writer: Jed MacKay
Penciller: Netho Diaz
Inkers: Sean Parsons & Livesay
Colourists: Marte Gracia & Fer Sifuentes-Sujo
Letterer: Clayton Cowles
Editor: Tom Brevoort
THE X-MEN
Cyclops. We get a flashback to the “Iron Night”, which explains the giant Sentinel that’s been hovering over the town since issue #1. After Krakoa fell and Phoenix departed for space, Cyclops returned to his family lodge near Merle to drown his sorrows. He resents the expectation that he’ll always be the one to lead the X-Men, but doesn’t take much persuasion from Magneto on the point – he’s already wearing his Morrison/Quitely-era X-Men jacket. It’s apparently just a coincidence that a Sentinel factory had been built in direct view of the Summers family lodge. According to issue #3, Cyclops got the building as a settlement with the US government following his torture at the hands of Orchis; evidently that comes after the flashback.
Temper. She continues to support Piper Cobb, even after a DNA test shows that she isn’t a mutant. She finds the Wild Sentinel attack on Merle reminiscent of her own encounter with a similar Sentinel, footnoted to Generation Hope #11. That’s the Schism tie-in issue with the Sentinel walking through San Francisco Bay to reach Utopia. The flashback specifically shows the opening scene of GH #11; the character sitting next to Temper is Velocidad.
Charts – 1 November 2024
This is a week where the impact of the downweighting rule is awkwardly obvious, as Sabrina Carpenter’s “Taste” reaches its tenth week on the chart, and (since it’s several weeks past its peak) the downweighting rule kicks in. And that results in it dropping from number 1 straight to number 11. Without that rule, it would still be number 1. I have some sympathy with the need to find a way of clearing out the dead wood, given how long major hits continue to pick up zombie play before people finally clear them off their playlists. But there has to be a subtler way of doing it.
Anyway, with that asterisk duly applied…
1. Gigi Perez – “Sailor Song”
Gigi Perez joins the one-hit wonders list, climbing to number 1 in her eleventh week on the top 40 (and her fourth in the top 10). It’s a perfectly nice record, but I’m honestly surprised that it’s had enough broad and sustained appeal to get here. That said, it is the lowest-scoring number one of the last year, with the equivalent of just over 39,000 sales.
The X-Axis – w/c 28 October 2024
Well, at least I chose a quiet week to be away.
X-MEN: FROM THE ASHES INFINITY COMIC #21. By Alex Paknadel, Diógenes Neves, Arthur Hesli & Clayton Cowles. Okay, I see what we’re going for here, but I’m not completely sold. The big idea here is that Lifeguard’s powers have started treating all of humanity as a threat and responding accordingly, leaving her unable to live among humans at all; the upshot is that her powers turn her into a literal island. It was fairly clear that that was where we were heading, though, so it doesn’t really work as a final issue reveal. And it feels a bit of a stretch from Lifeguard’s powers, which I don’t think ever turned on how she perceived things. The island thing feels a bit too literal, as well. Still, I like the way Steve is used as a more ordinary mutant who’s doing a little better at fitting back into normalcy.
NYX #4. (Annotations here.) This is David’s spotlight issue, and the basic idea is fine: he recognises that mutant history has been stuck in a lot of binary choices that he wants to escape from, but he has no terribly clear idea of how to do that. And of course, he ultimately does come out of retirement to save Kamala. Enid Balám makes him look good as a street artist, even if some of what he’s doing here stretches the boundaries of how his powers work. And I do appreciate the fact that Kamala sees straight through Sophie’s attempt to set her up. Kamala ought to be naive as regards some things – aspects of life as a visible mutant, say – but she’s not stupid, and it makes sense for the mutant-centric Cuckoos to underestimate her. (Or maybe Sophie is actually trying to be obvious.)
NYX #4 annotations
As always, this post contains spoilers, and page numbers go by the digital edition.
NYX vol 2 #4
Writers: Jackson Lanzing & Collin Kelly
Artist: Enid Balám
Letterer: Joe Sabino
Colour artist: Raúl Angulo
Editor: Annalise Bissa
THE CORE CAST:
David Alleyne is the spotlight character in this issue. As strongly indicated in earlier issues, he’s responsible for the various mutant-themed street art that we’ve seen in the background throughout the series. He wears a costume when making his art, and shows up in the same costume to fight the Krakoan during the story.
At first, he refuses to help Kamala against the Krakoan, even though Kamala only wants him to come along and try to talk sense into Julian as an old friend (which would be a stretch, but she doesn’t know that). David claims that his “position requires a very careful balance” and that he can’t be seen in that sort of role. Kamala interprets this as David being unwilling to compromise his own comfort, and decides that Sophie’s sell-out accusations in issue #1 were correct. However, when Ms Marvel is clearly losing to Julian, and nobody else shows up to help, David does indeed intervene, and both of them wind up being arrested. David assumes that this will cost him his job with the university, but for the moment it’s just an assumption.
The narration in this issue consists largely of David’s “lecture notes” (which read more like brainstorming sessions). Very broadly speaking, his key points seem to be:
- Mutant culture is rooted in the superhero/supervillain paradigm, and by extension in violence.
- Mutant culture has been stuck in a binary choice of Professor X’s integration and Magneto’s domination, both of which have failed. Krakoa offered a third choice of separatism, which also failed (at least for people who didn’t want to emigrate to the White Hot Room).
- Mutants have been unable to live among other people and, in trying to do so, are left with only their inner lives as the remnants of mutant community.
- Another path needs to be found for mutants which breaks out of these binaries.
- Humans (or at least human authorities) are reasonably to be assumed to be hostile, if not outright genocidal.
Charts – 25 October 2024
I’m going to be busy this coming week, and that means the next annotations probably won’t be until the weekend. So if you’re looking for those, and this is still the top post, that’s why. In the meantime, let’s cover this week’s chart.
1. Sabrina Carpenter – “Taste”
I know, you’re amazed. That’s nine weeks. But it does get hit by the downweighting rule next week, so barring a miracle, this will be the last. “Bed Chem”, which entered last week due to a quirk of chart rules, falls to 11 and is not in contention to take over. Instead, Gigi Perez’s “Sailor Song” seems to be the number one in waiting, climbing to 2.
4. Rosé & Bruno Mars – “APT.”
Hey, this is great! Rosé is a member of Blackpink, but they’ve never placed a single above 17, so this is a big hit for her. Her bandmate Jennie just released a solo single too; it got to number 37. So clearly there’s more at work here than just the hardcore Blackpink fans.
The X-Axis – w/c 21 October 2024
X-MEN: FROM THE ASHES INFINITY COMIC #20. By Alex Paknadel, Diógenes Neves, Arthur Hesli & Clayton Cowles. Part 2 of the Lifeguard story, now featuring some other Australian mutants who are even more obscure than she is. (Ugly John is a one-off New X-Men character, and the guy who turns brittle is from a single Weapon X: The Draft one-shot in 2002.) It looks like we’re going with the premise that after her time on Krakoa, Lifeguard’s powers are attempting to defend her from all normal humans. I can see the angle in that, and it’s one of those cases where it helps to have a pre-established character with handy plot-device powers. Mind you, Lifeguard’s power is supposed to be that she develops whatever powers she needs to save human lives in the vicinity, so it’s not entirely clear how we get from there to here… but maybe we’re going with prolonged isolation from humans making her reorient around mutants or something? At any rate, it’s all presumably a metaphor for her trying to reassimilate into a society whose racism is more visible to her than it was in the past. I’m still not quite sold on it, but it’s the sort of thing I’m glad to see the Infinity Comics trying.
X-MEN #6. (Annotations here.) So we’re starting to draw together the threads from the various single issue stories to date – which means a scene where the cast literally compare notes and draw the threads together, but this feels like the time to be doing it. Meanwhile, Idie decides to go off on a frolic of her own and talk to a local mutant girl without involving Scott. This is the subtler side of the story, since it doesn’t spell out quite so directly why she’s looking to Magik rather than the rest of the team, but the dynamics between those two characters work nicely. Guest artist Netho Diaz seems a good fit for Ryan Stegman’s style, though I can’t help thinking some of these character designs need tweaking – Idie’s hair just looks odd. Beast gets some nice moments too, lamenting the fact that he’s trying to be the cutting edge scientist while missing any memory of the last few years. Quietly solid.
X-Factor #3 annotations
We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.
X-FACTOR vol 5 #3
“Project Paperclip”
Writer: Mark Russell
Artist: Bob Quinn
Colour artist: Jesus Aburtov
Letterer: Joe Caramagna
Editor: Tom Brevoort
X-FACTOR
The team are being packed off to autograph signing at conventions, which does at least reflect the PR aspect of their official remit. Havok is still worried about what happened to Polaris after she was left behind with the Mutant Underground at the end of the previous issue. He claims that all he cares about is getting his team back safely, and that he no longer has any misgivings about fighting other mutants (presumably following his encounter with the Underground last issue).
Granny Smite gets a back story here: she lived to 86 without realising that she was a mutant, at which point she lost her entire family within six months in disasters that she survived unscathed. Or at least, that’s Broderick’s account. It does beg some questions: as described here, she’s apparently not just immortal but invulnerable. Could you really live to 86 without noticing that? And since she apparently does age, can she die of old age? Nonetheless, Broderick’s account seems to match her behaviour: she’s lost everything she cared about and she seems to be mainly interested in getting herself killed. She clearly takes some enjoyment in freaking people out – she signs her publicity photo “I welcome death.” Havok isn’t at all convinced that she should be on the team, but to be fair, she does have useful powers and she is perfectly co-operative in a crisis. Then again, she’s also mentally unstable and barely trained.
X-Men #6 annotations
We’re going to be running off the normal schedule for the next couple of weeks, so expect things to be running a few days late. As always, this post contains spoilers, and page numbers go by the digital edition.
X-MEN vol 7 #6
“Bark”
Writer: Jed MacKay
Penciller: Netho Diaz
Inker: Sean Parsons
Colourists: Marte Gracia & Fer Sifuentes-Sujo
Letterer: Clayton Cowles
Editor: Tom Brevoort
THE X-MEN:
Cyclops is team leader, chairing the X-Men’s meeting. He’s a little more reluctant than Magneto to acknowledge Ben and Jennifer as proper mutants, but does accept them.
Temper spots that one of the protestors outside the Factory – and they’re a small group – has a child who makes the “Midnight Bark” (or “Midnight M”) hand signal at her. Rather than tell Cyclops, she decides to take maters into her own hands and asks Magik to help, presumably seeing her as someone else who likely to agree. Note that she doesn’t go to Kid Omega, her ex, who had already made clear to her that he wasn’t really interested in messing with the protestors. She evidently isn’t put off by the warnings that she might start some sort of incident by taking matters into her own hands.
Magik‘s long distance chess game from issue #4 gets another mention – her opponent in that story apeared to be Colossus. The game is apparently something she’s keeping private, but she doesn’t seem that upset that Temper knows about it. She seems mainly amused by Temper’s response to the girl – she cautions that it could be a PR trap but seems quite happy to leave it up to Temper to decide what to do about it. The risk of starting an outright fight with O*N*E doesn’t really seem to bother her either.
Housekeeping
Just a quick note to say that posts are likely to be running behind schedule for the next couple of weeks, so don’t expect annotations on day of release right now.
House to Astonish Episode 210
Another episode, another convention to bring you all the news from! This time round, Paul and I are talking about the return of Vertigo (with a detour into the state of Marvel’s Red Band), the launch of the Marvel Premiere Collection, Hush 2, Absolute Flash, Martian Manhunter and Green Lantern, Rise of Emperor Doom, IDW’s new logo and IDW Dark line, Andy Khouri becoming TMNT editor, and a multitude of Godzilla series. We’ve also got reviews of Moon Knight: Fist of Khonshu and Batman & Robin Year One, and the Official Handbook of the Official Handbook of the Marvel Universe introduces The Picture of Dorian Hay. All this plus the continuity links between Pride and Prejudice and Pilgrim’s Progress, Jack Kirby as a hologram AI NFT, and Adventures Of Weird You Know That Sort Of Thing.
The episode is here, or available via the embedded player below. Let us know what you think, in the comments, on Bluesky, via email or on our Facebook fan page. And T-shirts? Do we have T-shirts for you! Sorry, I mean, do we have T-shirts for you? I think yes, we do.
